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Public Space
A public space might be defined as a place that belongs
to the community. A place where people give up part of their privacy to the
community, where thus "visible" things are exhibited, shown and
seen...
In countries where the central power is very strong, the frontier between
the private and the public can be quite blurry, as one's intimate spaces are
freequently scrutinised by the powers-that-be. In "modern western democracies",
surveilliance cameras and other spying devices render most of the intimate
spaces public, with similar effects (though lesser immidiate impact) on the
individual's private life. Even the TV set spies as well as our Internet terminals,
sending back information about our daily habits and behaviour. Information
that is precious both for decision makers and to marketers who then develop
strategies that will overcome any of our attempts at freeing ourselves.
Dictators use physical violence to control their subjects, "democracies"
use more refined tools to subdue their citizens reduced to entries in statistic
charts!
What is then personnal and what is social?
Am I personnally affected by what is going on thousands of miles away from
my native Cameroon in Afganistan? Does it at least affect my vision of the
world?
Has the poverty around me any impact on the way I define myself as an individual?
If I am talking about the wealth, poverty, happiness or sorrow around me,
Am I speaking also about myself or am I speaking on behalf?
Art dwells frequently on this blurry frontier
were the public and the private mingle, where the social and the individual
meet. Art is at best an idiosyncrasic expression. But it requires, in order
not to be reduced to a monologue, the understanding of the other and as such
it requires a space that is not private, but public. This means that the personnal
view here should be "sharable". That is to say it should encompass
features that are similar in views held by others. Talking about these shared
views is also talking about myself and the kind of opinions that I share...
I as an individual !!!
Mokolo market square: under the heavy
sun in a marquet square in Yaoundé, Cameroon,
I unrelentlessly put nails on a wooden sculpture that I produced in my studio.
January 1997
La Ciotat:
with three video cameras attached to my body, I try to capture the daily life
in a popular square in a poor neighbourhood at La Ciotat, in
Southern France, Summer 2003. The video is later on shown in
the same neighbourhood to the population
Bessengue City: a project involving four
artists ( Hartanto, James Beckett, Jesus Palomino and Goddy Leye) and numerous
youths in one of the poorest neighbourhoods in Douala, Cameroon.
A shelter was built and a radio station set up. 2002
Amstel Dam:
one camera attached to the front and one to the rear of my bycicle, I move
in the city of Amsterdam, trying to record
every single occurrence on my way. The cameras are visible thus raising the
awareness of the public on the work being produced...
Alexandria (El Max):
in a poor neighbourhood in Alexandria, Egypt,
I produced a series of colourful stickers with a text in arabics reading:
it is possible nowadays to feed and cater for the entire humanity if such
is our desire. The stickers are distributed to school children who happilly
paste them on their text books. The same text is written on a wall in the
neighbourhood by a young painter who received a pay for the job. 2004
Bepanda: a poem is written on the wall
of a house in a shanty town in Douala, Cameroon.
A young female sign painter is paid to do the writing of poetry into this
neighbourhood. 2007
Joucas: images of electoral campaign for
legislative elections are collected from the street, manipulated on computer
and later on shown in the public space.
France. 2007








